Photographer among Writers, Daniel Mordzinski (Buenos Aires, 1960) has been dedicated since the age of eighteen to capturing and narrating through his gaze—“writing with light,” as Irene Vallejo puts it—what pulses beyond the obvious. The hundreds of portraits he has taken of the most important faces in contemporary literature allow us to hear the subtle lights and shadows that speak within them. This interview, which is much like an essay, chronicle and fragment, and includes iconic images from the photographer, has been forged at a distance between Mordzinski and the Chilean writer María José Navia, who proposes questions and interweaves the answers of her interviewee, erasing her traces like the eye that frames, focuses, and shows without being seen. Through this rich dialogue disguised as a monologue, the artist discusses his work, his conception of photography, and the other lights that nourish him: art, cinema, music, and above all, literature, which has been for him another form of friendship.