A space that invites young leaders in the field of artistic and documentary photography in Buenos Aires to discuss various issues of photography as an artistic expression from a critical perspective. On this occasion, Daniel Merle will engage in dialogue with Clara Tomasini and Sol Miraglia, young figures in the scene and in their own work, on topics such as curation, institutions, collecting, the commercial circuit, documentary filmmaking, and art. A space for debate without reservations or condescension.

? Daniel Merle: press photographer. He has worked for the newspapers La Nación, Clarín, the international agency REUTERS, and as a freelancer for various foreign media. He holds a Master's in Curation in Visual Arts and is a doctoral candidate in Comparative Arts Theory at the National University of Tres de Febrero. He has exhibited individually and collectively.

? Clara Tomasini: photographer, restorer, and specialist in 19th-century photography and photographic materiality, with a degree in Arts. She published, alongside researcher Juliana Robles de la Pava, under the title "The Depth of Surfaces: Studies on Photographic Materiality" (Ediciones ArtexArte).

? Sol Miraglia: film director and photographer, specializing in the preservation and reevaluation of photographic archives. She has directed the documentaries "Foto Estudio Luisita" (2018) and "When Olympus Collides with the Pampa" (2021). Currently, she is working on interdisciplinary projects that explore the relationship between archives and contemporary global movements.