Two views of the exhibition in Hall 1 that open the discussion on the work of Fernell Franco and the Colombian artistic context of the seventies.

Gonzalo Aguilar is a Professor of Brazilian Literature at the University of Buenos Aires and directs the master's degree in Latin American Literatures at UNSAM. He is part of the MALBA academic committee. He has published numerous essays in collective volumes and participated with critical texts in the Marcel Duchamp exhibitions at the Proa Foundation and Friends of Art at Malba, both in 2008: He is the author, among others, of the books Brazilian Concrete Poetry. The avant-garde at the modernist crossroads (2003); Other worlds. An essay on the new Argentine cinema (2006) and Beyond the people. Images, signs and policies of cinema (2015). 

Pilar Altilio has a degree in Visual Arts UNLP. International Postgraduate Degree in Communication and Culture FLACSO. Since 2000, it has focused its work on cultural dissemination and training of teachers throughout the country, focused on contemporary art, with emphasis on Latin American and Argentine art. She regularly publishes as a critic in Revista Ñ and ArtNexus (Colombia). Independent curator and researcher, she carried out video art cycles Screen Art in the country and abroad, numerous traveling collectives of national artists and individual exhibitions of prominent national artists. He researched and published on contemporary photography.

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